Close Quarters A new Territory For Lifetime
“I wanted to be sort of, the female Bourne Identity,” admitted Catherine Bell on the set of Close Quarters, a first-ever action movie made for the Lifetime network.
Sporting a bullet-proof vest, Bell (Jag, Army Wives, Bruce Almighty) reflects certain aspects of her character, Abby Collins. “I wakeboard and ride motorcycles, so for me this is great. It’s kinda how the whole thing came about - my husband and I wanted to do something where I’m an action hero.”
The custom-made project quickly evolved, attracting several accredited industry players including Executive Producer, Gale Anne Hurd, who is behind hits such as Terminator, Aliens, and The Abyss.
“I am traditionally drawn to films that deal with strong female protagonist people that you can relate to. They are generally ordinary people thrust into extraordinary circumstances, so there’s a great deal of that behind this,” Hurd explained.
“It really started with Catherine Bell’s husband, Adam Beason, who’s one of our writers along with Jolene Rice, writing a terrific role for his wife, who has a martial arts background and is one of the best drivers you will ever see. She actually races in pro and celebrity car racing,” Hurd continued, “It was the perfect combination - Lifetime felt that it was time to do something new and take some chances.”
Hurd summarized the action-packed plot behind Close Quarters:
“Abby Collins is a woman who used to be a military operative many years ago. She since put that in the past, and is now essentially a soccer mom and wife of Nick Collins, a veterinarian. Unfortunately, the secrets of your past sometimes come back to haunt you. Her past puts her husband and family in jeopardy and only she can save them.”
The script called for a wide variety of locations, which initially raised questions on where to shoot, but it didn’t take long for the production to settle on Michigan.
“A number of sequences actually take place in Afghanistan, and when we were entertaining the idea of coming to Michigan we thought, ‘Ok. Where in Michigan are we going to find Afghanistan?’ and we actually did,” Hurd eagerly described the location discovery.
“I challenge all of you to look at it and think it was shot anywhere but Afghanistan. There’s a quarry up around Oxford, where we filmed, that is a dead ringer for Afghanistan. That was another thing that was really particularly exciting to us.”
The adrenaline is present on the set MMM was invited onto, which was inside a massive warehouse located in Southfield, Michigan.
Hurd explained, “We found this terrific space which is doubling as interior Afghanistan… a cargo container area, and it’s about to double for yet another location; a meeting spot between two of our leads, Abby Collins, and Jeremy Davis, played by Mekhi Phifer (8 Mile, ER, Dawn of the Dead).”
As Abby’s former platoon mate, Phifer, described how this ex-military character compares to previous roles. “[I’m] pretty well versed with guns… I’ve done fight scenes and stuff like that. We have been rehearsing - getting some practice and choreography in for the fight scene.”
Anthony Michael Hall (The Breakfast Club, Stephen King’s Dead Zone, The Dark Knight), who portrays the husband-in-distress, Nick Collins, is less involved in the action than his on-screen spouse, but is equally as enthusiastic about working on the project.
“She’s [Bell] really kicking a** in this! And I think it’s cool to see films like that, or TV shows recently, where women are the heroes,” Hall smiled, “Because we’re men. We need help – let’s be honest.”
“It’s current for people who are in the military, and at the same time… it’s a very interesting thing for Lifetime. What attracted me, really, was the people. This great producer, Gale Ann Hurd; successful, and proven, and such a smart lady. Ernest Dickerson, I couldn’t say enough about; he’s just a great director. He’s shot [many of] Spike Lee’s movies when he was just a cinematographer. He’s one of the finest; I’m really happy to work with him.
And Catherine Bell… she’s a fine actress; been a TV star for a long time… and Mekhi Phifer, he’s a great guy. The cinematographer’s fantastic, Steven Bernstein, he shot Monster. [Close Quarters has] some really top notch film people. I think you see that more and more in TV now; you’re getting better and more talented people than ever, doing television.”
The cross-over of film veterans combined with genre innovation is gearing up Close Quarters to stand out among films made for both TV and the silver screen.
“I like this because it’s the kind of film that hasn’t been done too much in the United States,” Ernest R. Dickerson (Juice, Bulletproof, Our America) observed. “You find these kinds of films coming out of Asia… and Europe, but not many American films have really fabulous lady warriors; and that’s what we’re trying to bring here.”
The director continued, “I think what is great about this character [Abby Collins], we made her like an ordinary, everyday person. Hopefully, most ordinary, everyday ladies will be able to identify with her and see themselves in her. Then when she does some pretty amazing things, you know, they’ll put themselves in that situation and say, ‘I’d like to be able to do that.’”
In addition to the potential idea of a Close Quarters sequel, the overall production experience has inspired those involved to evaluate the Michigan film industry as a whole.
“My husband actually shot here last year, Jonathan Hensleigh, the writer/director of Kill The Irishman,” said Hurd. “He is the one who recommended Michigan to me as a location. It’s so tremendous to have great word of mouth, from happy producers, directors, who shot here before.”
The executive producer further expressed the importance of industry feedback, “I’m on the board of the Producers Guild and we have a Film USA program, where we keep all of the information up to date on film incentives. We share information so people who have shot in Michigan, who are members of the PGA, share that information with others who are interested in coming here.”
While word-of-mouth is seen by many as a way to make or break someone in the movie biz, the accumulation of positive remarks is encouraging to anyone involved in the state’s developing industry.
“My stay in Michigan has been great,” Dickerson confirmed. “Last time I was here I did a GM commercial. It’s really nice to see… the variety of locations. I love being in a city where the history is still there for everybody to see... I live in Los Angeles and a lot of history has been replaced by shopping malls.”
In regards to the film tax incentive, the director explained, “It made it very possible for us to do this show with the budget we had. It actually gave us a couple more days of shooting because we need it… I’d like to see more films come here. I really would. I think it can bring a lot of money here, and there are crews here that are really eager to work.”
With the utmost sincerity in her voice, Hurd impressed the importance of recognizing the state’s potential. “I certainly hope that the incentive stays, because it is so important to boost filmmaking here and to create a real infrastructure. That will really allow this to be one of the filmmaking capitals of the United States.”
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